They stand in long lines eager to gain entry into one of the city’s celebrated nightclubs. Once they slip by those over-sized 350-pound doormen, they line up again at the bar, where they usually wait three-deep for a chance to scream orders at bartenders who make hundreds of $10 cocktails hourly. Welcome to Tao Las Vegas. Welcome to Generation X-tasy.
It could have been any city. Just fill in your favorite DJ-hosted affair. Clubbing has replaced traditional watering holes. In Chicago, the number of taverns plummeted from 7,000 in 1947 to just 1,321 today, as nightclubs redefined the entertainment experience.
And how could they possibly compete with Tao? Its 60,000-square-foot interior features a 20-foot golden Buddha, and enough stylish, scantily clad people gyrating on the dance floor to provide copious eye candy for any of the 600,000 annual diners who spend $70 on average per meal.
Immersive experiences have become de rigueur for attracting thrill-seeking patrons. In fact, Tao Las Vegas at the Venetian Hotel, is the highest grossing independent restaurant in the U.S., according to Restaurants & Institutions magazine, which has been ranking the top 100 for 24 years. In 2006, its first full year of operation, Tao netted $55.2 million, or $16 million more than its closest competitor, New York’s Tavern on the Green.
The experiential restaurant trend began in Amsterdam, where in 1990 supperclub began combining dining with exotic theatrical performances — the serving staff are accomplished artists — plus art, all enjoyed from the comfort of your own bed, ushering in two dining trends that would spread globally.

In September 2005, San Francisco became first U.S. outpost of Amsterdam’s supperclub, featuring performers like “Fauxnique,” who add spice to the dining experience. (Photo courtesy: Colin Vincent for supperclub S.F.)
Generation X-tasy can be traced as far back as the bible, but a modern-day milestone was Nevada’s 1931 legalization of gambling. Gambling revenues boosted Las Vegas’ status as America’s Mecca of adult entertainment — reinforced by its telling tagline, “What happens in Las Vegas, stays in Las Vegas,” a motto that has become a pop culture icon of sorts.
If Las Vegas is the capital of Generation X-tasy then Steve Wynn is surely its chairman. When Wynn opened the Mirage in 1987, he single-handedly put Las Vegas on its current course of palatial excess. The crown title now belongs to The Venetian, which with its 3,025-room The Palazzo wing is the world’s largest hotel with a jaw-dropping 7,074 rooms.
“Moderation is a fatal thing,” Oscar Wilde wrote in an 1893 play. “Nothing succeeds like excess.” Were Wilde alive today, he would find plenty of evidence to support his prescient observation, and would be highly amused by that annual American ritual of Spring Break.
Each year, Cancun welcomes more than 100,000 visitors for Spring Break, which has transformed Cancun’s nightlife. In many U.S. seaside communities, Spring Break has actually become a legal specialty as lawyers help bail out the many arrested “party animals.” That party culture even spilled over to the apparel business in 2005 when Ted Baker introduced the “Party Animal Tuxedo,” a spill-resistant tux for dressy imbibers.

The term “party animal” was elevated to a new cultural stature when apparel maker Ted Baker in 2005 launched the “Party Animal Tuxedo” — a spill-resistant tux lined with Teflon.
But Generation X-tasy rules far more than wanton excess. The cruise-line business has also experienced a sea-change shift, so to speak. Today, it’s not merely enough to provide passengers with comfortable sleeping quarters. Ships have become floating cities, replete with such eclectic attractions as a football-field-size version of Central Park, containing a town square with dining and entertainment, occupying five stories of the 16-deck “Project Genesis” ship, which is set to launch in 2010.

Royal Caribbean’s Oasis of the Seas will feature an amphitheater, called the AquaTheater, and a rock-climbing wall, able to provide outdoor entertainment to some of the ship’s 6,300 passengers, when it sets sail on December 12.
While the entertainment, travel and hospitality markets are most influenced by Generation X-tasy, the real estate market is also showing signs of adopting the trend. Joining such global gambling playgrounds as Las Vegas and Macau, the middle east is redefining itself through Dubai and up-and-coming Abu Dhabi.
Dubai’s man-made Palm Island, an island resembling a palm, quickly sold out, as home buyers fan around the globe in search for new experiences. Palm Island was able to draw such high-profile home buyers as David Beckham and Simon Cowell, who are part of a British contingent that makes up about 25% of the island’s 120,000 residents.

The Generation X-tasy Ubertrend is encouraging consumers to venture further away from home in search of new experiences, which explains why groundbreaking projects like Dubai’s Palm Island quickly sold out, mostly to foreigners.
Palm Island is but one real-estate project that has its eyes set on luxury buyers. The Generation X-tasy Ubertrend is chiefly responsible for propelling a global luxury market that reached $270 billion in 2008, according to Bain & Co., and is spurring a “price is no object” trend that has led to $2 million automobiles like the Bugatti Veyron or $62,000 lipstick from Guerlain.
The luxury set likes to stay in opulent quarters and it has found a ready supply of hoteliers who cater to them. The Ritz-Carlton Moscow opened its doors in July 2007 featuring the three-Michelin-star Jeroboam restaurant, which boasts a private wine room offering a $68,000 bottle of ’61 Grand Cru. A mere $600 gets you a “nightlife butler,” who helps guests avoid velvet ropes while exploring Moscow’s electric nightclub scene.
The overdoing it trend has also led to a peculiar new phenomenon: eating contests. Who could have ever imagined that someone might be able to consume 66 hot dogs, or more than 20,000 calories, in 12 minutes flat? Nathan’s International Hot Dog Eating Contest, which draws participants from all over the world who vie for its gluttony title, is perhaps one of the best barometers for societal excess.
Experiential can also be harrowing, like when it arrives in the form of “Parkour” — an acrobatic sport that originated in the streets of Paris and that was featured in Madonna’s “Jump” music video. Participants run and vault through an urban jungle equipped with nothing more than a pair of running shoes, bouncing off walls, jumping over roofs and using any human-built obstacle as part of their parcours (circuit).

Parkour is an urban sport designed for Generation X-tasy: it involves racing through the urban landscape and using any obstacle as a springboard.
Dangerous sports, and we won’t even delve into the extreme fighting trend, are expressive elements of the Generation X-tasy Ubertrend. From the startling edifices of Dubai to the cavernous castles of Las Vegas to the “Fantasy Island” flavor of today’s theme parties, Generation X-tasy is driven by a need to stand out.
And the need to stand out gets greater with each introduction of something even more remarkable, something more extraordinary. It’s a trend that’s best illustrated every time someone sighs, with classic signs of ennui, “been there, done that.”











